About the project
"A bunch of cherry pits swells over foam; a bundle of synthetic white pearls coils between purple lace underwear and metal chain; plastic jewelry here, snail shells there. Salomon (2020), Mimosa Echard’s […] recent series, is a cornucopia of refuse. Mounted in Plexiglas boxes […] these works appear like bowels that pullulate with cheap junk opulence. They encapsulate, quite literally, the French artist’s obsession with the stuff of the everyday, reworking the mundane leftovers of our lives into viscous compositions that mischievously allude to the spills and stains of Abstract Expressionism, although Echard’s works dribble past boundaries of medium as well". - Charles Aubin